Di Vincenzo Esposito
All'ottantatreesima edition of the Annual Academy Awards (known as Oscar) went to the obvious scene, as expected, knowing the distrust of jurors to the aesthetic and stylistic innovations from the field of cinema.
the British triumphed King's speech, which just adds to the strong tradition of Anglo-Saxon cinema theater system. Undoubtedly, the intense level of recitative, but also suffocating in dramatic progression stylistically flat, and sometimes boring. Nevertheless, the film by Tom Hooper has won four statuettes, the most important: best film, best director, best actor and best screenplay original. The first group was competing with works like 127 hours , The Black Swan, a cold winter , The Fighter, The Grit , Inception , The Social Network : all for different reasons, most interesting of the winner. The Academy could stand rewarding Grinta The Coen Brothers (remake of the film directed by Henry Hathaway in 1969), an extraordinary western able to bring out the hidden darkness shining under the bark of the classical language, with an similar to those developed in 1953 by the painter Francis Bacon with his "remake" the famous painting by Velazquez Portrait of Innocent X . Or, he could show a little 'courage by winning the independent A cold winter and penetrating narrative of the underclass of the Midwest.
Even more trivial choice of reward King's speech to the director and the actor. A missed opportunity to bring out the stylistic eccentricities (and a touch of madness sound) by David O. Russel (The Fighter ), David Fincher ( The Social Network ), Darren Aronofsky (The Black Swan ), compared to the "calm" - James Ivory model - which welcomes King stuttering Tom Hooper. Colin Firth, then, is a superb actor "on the academy," but the film has perhaps needed even magnificent "gigione" Jeff Bridges as to emancipate themselves from the dust of the stage?
A dry mouth were also the writers Inception of (too convoluted?) The boys are doing well (too gay and lesbian?), The Fighter (too dirty and bad?), because, again, the Oscar went to The speech of the King
A little 'less obvious choice for best actress Natalie Portman, because there was even a risk to win Nicole Kidman (redone too?) For The Rabbit Hole . A cold winter
, one of the best films of the year, failed even to win the statuette for Best Adapted Screenplay, which went instead to The Social Network , based on the book by Ben Mezrich The Accidental Billionaires . Denmark's Susanne Bier has won, as expected, in the category Best Foreign Language Film with In a better world.
The approximately 5,800 voters of the Academy of Motion Picture Arts and Sciences (AMPAS) stood out for a taste of the obvious choices of pure technical categories: Best Editing the busy The Social Network at the expense of the brilliant 127 hours , whose success is due also subject to editing amazing Jon Harris, who has managed to transform a story on the paper without dynamism (James Franco trapped for 127 hours at the Blue Canyon Utah ) in a compelling film, best make up the film Wolfman (as if we had never seen a werewolf on the big screen), best special effects in 2D Imax Inception (Oscar for photography), which burned the "Wonderland" in 3D Tim Burton (what has already finished the enthusiasm for the third dimension of avatariani?). The only obvious but undeniable prize is going to Toy Story 3 , judged "best animated film." In this case, there was not actually playing.
Even more trivial choice of reward King's speech to the director and the actor. A missed opportunity to bring out the stylistic eccentricities (and a touch of madness sound) by David O. Russel (The Fighter ), David Fincher ( The Social Network ), Darren Aronofsky (The Black Swan ), compared to the "calm" - James Ivory model - which welcomes King stuttering Tom Hooper. Colin Firth, then, is a superb actor "on the academy," but the film has perhaps needed even magnificent "gigione" Jeff Bridges as to emancipate themselves from the dust of the stage?
A dry mouth were also the writers Inception of (too convoluted?) The boys are doing well (too gay and lesbian?), The Fighter (too dirty and bad?), because, again, the Oscar went to The speech of the King
A little 'less obvious choice for best actress Natalie Portman, because there was even a risk to win Nicole Kidman (redone too?) For The Rabbit Hole . A cold winter
, one of the best films of the year, failed even to win the statuette for Best Adapted Screenplay, which went instead to The Social Network , based on the book by Ben Mezrich The Accidental Billionaires . Denmark's Susanne Bier has won, as expected, in the category Best Foreign Language Film with In a better world.
The approximately 5,800 voters of the Academy of Motion Picture Arts and Sciences (AMPAS) stood out for a taste of the obvious choices of pure technical categories: Best Editing the busy The Social Network at the expense of the brilliant 127 hours , whose success is due also subject to editing amazing Jon Harris, who has managed to transform a story on the paper without dynamism (James Franco trapped for 127 hours at the Blue Canyon Utah ) in a compelling film, best make up the film Wolfman (as if we had never seen a werewolf on the big screen), best special effects in 2D Imax Inception (Oscar for photography), which burned the "Wonderland" in 3D Tim Burton (what has already finished the enthusiasm for the third dimension of avatariani?). The only obvious but undeniable prize is going to Toy Story 3 , judged "best animated film." In this case, there was not actually playing.
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