Recently we learned about the nice lawyer Alfonso Luigi Marra through commercials that have flooded the TV, and then the network, with special testimonial as Manuela Arcuri, Lele Mora and Ruby Heartbreaker. The advertised item is a book entitled The Labyrinth women, whose contents, in fact, are still obscure. On his site, though, you can read a few chapters for free. I have been talking about what about the "concept of Time," and I found a bizarre passage in which a lawyer Alfonso Luigi Marra uses the instrument of cinematic language to illustrate some "sensitive issues" of his theory.
confess that, while dealing with cinema for twenty years, I had never encountered anything so funny. The passage which I reproduce in full - for the record - is the most fanciful nonsense film I have ever read.
I can say with certainty that the Avatar quandanche crazy of the late Gilles Deleuze rape - out of sync - the Avatar bisexual Enrico Ghezzi, are unable to generate such a jewel "filmology alternative", since not even the magical planet Pandora could never exist "The second film Alfonso Luigi Marra".
" suppose to let us shoot for" an hour "later in this as we move among the things of our everyday life.
Suppose then divide the resulting movie in a very large number of frames, of perhaps a thousand frames per second.
Well, looking at individual frames in succession, we will realize that the only thing that "flows" in the images are precisely the forms of reality, that man has trained with various "moments of time" , then committing the mistake of confusing this with a mere code of something that exists for himself.
But now suppose we want to invite a friend to look at one of the frames obtained.
We will have two options. The first is to accurately describe to the frame, from the description, it can be identified.
This first method will obviously be very laborious and not at all reliable, since the rapid succession of frames will change the reality set so low that our eye can not perceive them.
The second number will be individual frames and to indicate to our friend the frame number that we want to see .
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