violet and painting! My approach to painting has been a gradual and exciting!
My approach to painting Was a gradual and exhilarating journey!
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| New York Night - acrylic on canvas - cm50xcm70 |
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| Street - oil on canvas - cm25xcm70 |
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| Poppies - oil on canvas - |
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| Wildflowers - oil on canvas |
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| Sunflowers - oil on canvas |
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| Volendam - oil on canvas - cm50xcm70 |
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| Flowers - acqurello cotton and pastel on paper - cm50xcm70 |
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| Brooklyn - oil on canvas - cm100xcm70 |
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| Hydrangeas - oil on canvas - cm25xcm35 |
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| Sunset Rufiji - oil on canvas - cm50xcm70 |
Ever since I went to art school, I always felt my strings in the watercolor painting. It was a technique that talked a lot about myself, I fully represented, delicate, light, difficult but rich in nuances and details. The technique is indeed no acqurello simple as it sounds: you have to dose the water well, to make the color more or less opaque (more water is added to the more veiled and transparent), be careful not to "craft" package (which is why usually always use cotton paper), have full knowledge that once stretched watercolor, you can not go back! Correct it is very difficult if not impossible. Then in a second time, dry the whole, we can intervene with the crayons, to enrich the shadows and details. I never took into consideration the oil painting, a little bit because I was afraid a little because I did not feel mine. Then one day I said to myself "Why not? After all, I try, I will come up to crap and I'll accept the fact that I and the oil are not compatible!" I bought a small canvas, the basic colors, some brush, the turpentine and linseed oil. And I left. At first I must admit, it was difficult ... I was passed by the delicacy of watercolors to the overwhelming body paint. But little by little enthusiasm is grew, more and more, making me realize that it was a technique that fascinated me a lot! Among other things, the fortunes of oil paint is that it dries slowly (it takes several days), no mistake is irretrievable, there is always an opportunity to correct if you are no longer safe! I painted many paintings on commission and others have exposed them at home, and arrived at a larger size (100cm x cm70). Now I want to try using some other material, to mix the paint.
Ever since i went to art school, I always felt in my ropes Watercolour Painting. It Was A Technique That spoke highly of me, That I was fully light, delicate, Difficult but rich in nuances and details. The technique for affato acqurello is not as simple as it seems: dosing the water, to make the color more or less opaque (more water is added is veiled and more transparent), be careful not to "embark" sheet (this is why you typically always use cotton paper) have the full awareness that once stretched the watercolor, it can no longer go back! Correct, in fact, it is really difficult if not impossible. Then in a second time, dry, you can intervene with coloured crayons, to enrich the shadows and details. I never took into consideration the oil painting, a little because it scared me a little because I felt my. Then one day I said to myself "why not? After all, I can try, I will release a crap and I will have to accept the fact that I and the oil are not compatible! " I bought a painting small, basic colors, some brush, turpentine and linseed oil. And I'm playing. At the beginning I must admit, it was difficult ... by the delicacy of the watercolor was passed to the body of the domineering oil color. But gradually the enthusiasm grew, more and more, making me realize that it was a technique that fascinated me a lot! The luck of oil color is that wiping slowly (it takes several days), no error is irremediable, you always have the option to correct where it is safer! I painted many paintings on Commission and others got Them Exposed at home, and I Arrived at larger (100cm x cm70). Now I will try to use Some other kind of material, by mixing oil color
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